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immovable objects like howard k. smith and frank reynolds, and people who still believed that good journalism was important. and nobody. >> he turned. he recognized good journalism and moved toward it. >> he recognized it. i will tell you the back story of "nightline." for about a year before the iran hostage crisis, rone arlidge came to us in the news division and said any time something of real major importance happens, i want to do a late night special on it, 11:30, 10 minutes, 15 minutes, i don't care. he initially wanted a one-hour news cast at the dinner hour. at 6:30. the affiliated stations would not go along, so he decided he was going to seize that time, and by the time we got to the iran hostage crisis, we were running out of things to say. after about the fifth day, the sixth day, the seventh day. we were running out of things to report. and rune said to us, i don't care. tell me the difference between a sunni and a shiite. about the shah and how he came to power. tell me, i don't want care what. he kept that program going, because he recognized there was a tremendous a
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